![]() ![]() Bu askeri darbelerin siyasal, ekonomik ve sosyal etkilerinin yanında Türk sineması üzerinde de derin etkileri olmuştur. Askeri vesayetin her dönem kendini hissettirdiği Türkiye’de, 27 Mayıs 1960 ve 12 Eylül 1980 Askeri Darbeleri, askerlerin bir süre yönetimi doğrudan ellerinde tutmaları, yeni anayasalar hazırlamaları, Türk siyaseti ve toplumsal yaşamına yaptıkları derin etkiler nedeniyle önemli tarihsel olaylardır. ![]() The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey.Ģ7 Mayıs ve 12 Eylül Askeri Darbelerinin Türk Sinema Sektörüne Etkileri Özet Genellikle dünyanın siyasal istikrar problemi yaşayan ülkelerinde görülen askeri darbelerden muzdarip olan ülkelerden biri de Türkiye’dir. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. At the same time, the "regional managers" emerged, and movies in line with demands of this system started to be produced. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the "Social Realism" movement in the ensuing films arose in cinematic circles in Turkey. The freedom initiative created by 1961's constitution had a direct effect on the rise of public opposition. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. ![]() ![]() When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. ![]()
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